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Search resuls for: "More About Will Heinrich"


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It also illustrates just about any Buddhist concept you would care to name. Its six gray bubbles could stand for teardrops, living cells or even six planets as much as they do for astringent autumn fruit. In other words, they evoke the endless, thoroughly interconnected multiverse that is present everywhere and in every moment. These handles descend to foreshortened X’s of leaves that, along with the fruits’ subtle but unmistakable highlights, create the picture’s unique perspective. But you could just as well see them hanging in the air from some invisible branch, inhabiting the flatter, more vertical space of a Chinese landscape.
Juanita McNeely, an uncompromising painter who used the language of Expressionism to immortalize the sweetest and most brutal moments of her own female experience, died on Oct. 18 in Manhattan. Her death, at Lenox Hill Hospital, was confirmed by her husband and only immediate survivor, Jeremy Lebensohn. But the most searing single piece might have been her record of the fragmentary details — emotional as well as physical — of an abortion she underwent in the 1960s. She had been admitted to a hospital for treatment of a tumor when doctors discovered she was pregnant. She eventually did receive the procedure she needed, at a different hospital — but the experience left marks.
Persons: Juanita McNeely, Jeremy Lebensohn, McNeely’s Organizations: Lenox Hill Hospital Locations: Manhattan, Lenox
A blockbuster meetup of Manet and Degas, an unprecedented retrospective for Ed Ruscha and a once-in-a-lifetime chance to see an 800-year-old ink painting that has never before left Asia — the new season of museum shows is full of heart-stoppers. A new gallery devoted to plaster is set to open at the Museum of Modern Art, too, and drawing shows are everywhere, from Hanne Darboven in Texas to Stéphane Mandelbaum in New York. SeptemberONLY THE YOUNG: EXPERIMENTAL ART IN KOREA, 1960s-1970s Coming of age in a rapidly changing country, postwar Korean artists innovated without fear. Organized with the National Museum of Modern and Contemporary Art in Seoul, this show is slated to travel on to the Hammer in Los Angeles. (Sept. 1-Jan. 7, 2024; Solomon R. Guggenheim Museum)JA’TOVIA GARY: THE GIVERNY SUITE A Black feminist angle on art history — and on Monet’s famous gardens at Giverny, France — in a newly acquired video installation.
Persons: Manet, Degas, Ed Ruscha, Hanne Darboven, Stéphane Mandelbaum, Ruth Asawa, Michelangelo, Asawa, Solomon R, GARY Organizations: Museum of Modern, Whitney Museum of American, Francisco’s Legion, Honor, National Museum of Modern, Art, Guggenheim Museum, Modern, of Fine Arts Locations: Asia, Texas, New York, KOREA, Seoul, Los Angeles, Giverny, France, Houston
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